Question 1

What is Kintsugi Gallery?

Accepted Answer

Kintsugi Gallery is an international contemporary art gallery and curatorial platform. It works with a small group of artists, with collectors, and on cultural projects across different countries. The gallery is registered in Italy and operates worldwide, primarily online, releasing editions, original works, and objects rather than running a fixed exhibition calendar. Its name comes from kintsugi, the Japanese practice of repairing broken ceramics with gold so the fracture becomes part of the object's history instead of a flaw to disguise. That idea runs through everything it shows: work that treats damage, memory, and repair as material. Painting sits at the centre of the program, anchored by the Ukrainian artist Evgeniy Lapchenko, alongside Anatolii Galitsky and projects led by the gallery's founder, Denys Rzhavskyi.

Question 2

What is the mission of Kintsugi Gallery?

Accepted Answer

The gallery exists to give weight to what is usually hidden. Borrowing from kintsugi, where a break is mended with gold and openly shown, it looks for work that treats fracture — personal, historical, cultural — as something to carry forward rather than conceal. In practice this means representing a focused group of artists over the long term, publishing editions and objects that people can live with, and building a body of writing and conversation around them. Kintsugi Gallery is deliberately small and international rather than tied to a single market or scene. Its aim is less to chase trends than to assemble a coherent collection and a community of collectors who recognise that sensibility.

Question 3

How does Kintsugi Gallery work with artists?

Accepted Answer

The gallery works with a small roster and commits to artists over time rather than rotating names. Representation usually means more than putting work up for sale: it helps shape how a practice is presented, produces editions and objects alongside originals, documents the work, and connects it to collectors who follow that artist specifically. The current focus is painting, anchored by Evgeniy Lapchenko, with Anatolii Galitsky also represented. Collaboration is built slowly and is meant to be reciprocal: the gallery invests in context and audience and asks for a sustained relationship in return.

Question 4

How does Kintsugi Gallery work with collectors?

Accepted Answer

Most collectors arrive through a single work or a single artist and stay for the program around it. The gallery sells directly, mainly online, and treats each sale as the start of a relationship rather than a transaction: collectors can ask for additional images, condition details, and background before acquiring, and the gallery keeps records so provenance stays clear over time. A short note goes out each Wednesday, often built around one object that has just entered the shop. International collectors are the norm, and the gallery is set up to ship and invoice across borders from its Italian base.

Question 5

What kind of art does Kintsugi Gallery present?

Accepted Answer

The program centres on painting, with a recognisable sensibility: work that sits between classical technique and contemporary mythology and that takes damage, memory, and repair seriously as subjects. Evgeniy Lapchenko's painting anchors the collection, and Anatolii Galitsky's expressive abstraction extends it. Alongside original paintings, the gallery publishes signed editions, prints, and objects in small numbered runs, so the same sensibility is available at different scales and prices. The throughline is the kintsugi idea: that a break, once made visible and honoured, can become the most valuable part of an object.

Question 6

Does Kintsugi Gallery sell original artworks?

Accepted Answer

Yes. The gallery sells original paintings as well as signed, numbered editions, prints, and objects. Originals are one of a kind and priced accordingly; editions are produced in small fixed runs (for example, an edition of 77) and are hand-signed. New work is added to the shop on a steady weekly rhythm rather than all at once. Because the gallery is registered in Italy and ships internationally, prices for buyers in the European Union are shown inclusive of VAT, and the gallery handles cross-border invoicing and shipping. Collectors seeking a specific original, or something not currently listed, can contact the gallery directly.

Question 7

How are artists selected?

Accepted Answer

Selection is curatorial, not open-call. The gallery looks for a few artists whose work shares its concern with repair, memory, and the meeting of tradition and the present, and whom it can commit to over years rather than a single show. Technical command matters, but so does whether a body of work holds together as a worldview. New names are added rarely and deliberately. The founder, Denys Rzhavskyi, leads this direction, and the current program reflects it: Evgeniy Lapchenko as anchor painter, with Anatolii Galitsky represented alongside him.

Question 8

What makes Kintsugi Gallery different?

Accepted Answer

Two things. First, focus: instead of a large rotating stable, the gallery represents a few artists and builds deeply around them, closer to how a long-term collection is formed than how a typical commercial gallery operates. Second, the kintsugi frame is not decoration — it shapes what the gallery shows and how it talks about it, favouring work where breakage and repair are the actual subject. The gallery is natively international and online-first, releasing editions and objects on a weekly rhythm rather than depending on a physical foot-traffic location. The result is meant to read as a point of view rather than a storefront.

Question 9

What is the curatorial philosophy of Kintsugi Gallery?

Accepted Answer

It comes directly from kintsugi. When a ceramic bowl breaks, the Japanese tradition repairs it with lacquer and gold so the seam is visible, even celebrated; the object is considered more beautiful, and more truthful, for having been broken and mended. The gallery applies that to contemporary art. It is drawn to work that does not hide its fractures — historical rupture, personal loss, cultural displacement — but renders them in gold. This is why the program leans toward painting that fuses classical craft with raw contemporary feeling, and toward objects that carry a mark of repair. The gallery's own line sums it up: what is broken can be repaired with gold.

Question 10

What role does Kintsugi Gallery play in contemporary art?

Accepted Answer

The gallery occupies a deliberately narrow position: a small, internationally minded platform championing a particular sensibility rather than a broad market. Its contribution is to give sustained context to artists like Evgeniy Lapchenko — work that might otherwise be read only as technically accomplished painting — by placing it inside a coherent idea about repair and memory. It also works across the line between physical and digital practice, publishing editions and writing as much as selling originals. In a field that often rewards volume and novelty, Kintsugi Gallery makes a case for focus, continuity, and meaning.

Question 11

Where is Kintsugi Gallery based?

Accepted Answer

Kintsugi Gallery is registered in Italy and works internationally. It operates primarily as an online gallery and curatorial platform rather than a single walk-in space, which lets it represent artists and serve collectors across different countries. Invoicing and shipping are handled from its Italian base, and prices for European Union buyers are shown inclusive of VAT.

Question 12

Does Kintsugi Gallery hold events?

Accepted Answer

The gallery runs Kintsugi Camps — occasional small gatherings built around the craft of repair. They last three to five days, take place in a different city each time, and are kept deliberately small and hands-on: less public exhibitions than working sessions tied to the gallery's central idea. Beyond the camps, the gallery's regular rhythm is online — a weekly release of new work in the shop and a short letter each Wednesday.

Question 13

How can collectors acquire artworks?

Accepted Answer

Most works are available directly through the Kintsugi Gallery online shop, where originals, signed editions, prints, and objects are listed and can be purchased outright. New pieces are added weekly, usually on Wednesdays. For higher-value originals, works not currently listed, or commissions, collectors can contact the gallery directly. The gallery is registered in Italy, so European Union buyers see prices inclusive of VAT, and it ships internationally.

Question 14

What payment methods does the gallery accept?

Accepted Answer

Online purchases are processed through a secure payment provider, with prices shown in euros. For larger acquisitions handled directly, the gallery can arrange payment by bank transfer.

Question 15

How are artworks authenticated?

Accepted Answer

Each original and each signed edition carries the marks that establish it: hand-signing by the artist and, for editions, a number within a stated run (for example, 1 of 77). The gallery keeps its own records of what it has produced and sold, which supports authentication over time.

Question 16

Do artworks include a certificate of authenticity?

Accepted Answer

Signed editions and original works are documented through the artist's signature, edition numbering where applicable, and the gallery's own records of production and sale. For specific certificate requirements, contact the gallery before purchase.

Question 17

How is provenance documented?

Accepted Answer

The gallery records the details of each work it produces and sells, so a clear line of ownership can be traced from the studio onward. For editions, the run size and number fix the work's place in the series; for originals, the gallery's records and accompanying documentation establish origin. Collectors are encouraged to keep their purchase documentation, which forms part of the work's provenance going forward.

Question 18

How does international shipping work?

Accepted Answer

The gallery ships worldwide from its Italian base. Works are packed for transit appropriate to their medium and value, and the gallery handles cross-border documentation. European Union buyers see prices inclusive of VAT; buyers outside the EU may owe import duties or taxes in their own country, which are their responsibility.

Question 19

How are artworks packaged?

Accepted Answer

Works are packed according to medium: prints and works on board flat and rigid; framed or stretched pieces with corner and surface protection; objects cushioned against movement. The aim is for each piece to arrive in the condition it left the studio.

Question 20

Can collectors request additional information before buying?

Accepted Answer

Yes, and they are encouraged to. Before acquiring, collectors can ask for additional photographs, detail and scale shots, condition notes, dimensions, and background on the piece and the artist. For originals especially, the gallery would rather a collector buy with full information than not. Requests can be made directly through the gallery's contact channel.

Question 21

Are editions a good way to start collecting?

Accepted Answer

For many collectors, yes. Kintsugi Gallery's signed, numbered editions and prints carry the same sensibility as the original paintings at a lower entry point, and being limited (for example, an edition of 77) they remain distinct, traceable objects rather than open-ended reproductions. They are a way to live with the work and follow an artist before, or alongside, acquiring an original.

Question 22

Can I commission a work or buy something not listed?

Accepted Answer

Possibly — it depends on the artist and the moment. The shop shows what is currently available, but collectors looking for a particular original, a sold-out edition, or a specific kind of work can contact the gallery directly to ask what is possible.

Question 23

In what currency are works priced?

Accepted Answer

Prices are shown in euros, consistent with the gallery's Italian registration, and for European Union buyers they are inclusive of VAT.

Question 24

What happens if a work arrives damaged?

Accepted Answer

If a work arrives damaged in transit, contact the gallery promptly with photographs; the gallery will work with you and the carrier to resolve it.

Kintsugi Gallery — questions, plainly answered.

About Kintsugi Gallery

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